Tag Archives: Japanese

Half-Human|Natsumi Goldfish

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“HALF HUMAN”

November 3, 2018 ~ November 25, 2018

Opening Reception: Saturday, November 3, 2018 6-8PM

AG Gallery is pleased to announce a solo exhibition “Half Human” by a Japanese contemporary artist Natsumi Goldfish, opening on November 3, 2018.

Half-human figures in Natsumi Goldfish’s works are a metaphor of invisible borderlines between humans and other lives on the earth that separate and connect them from each other. In half-human figures, Natsumi Goldfish depicts human nature that is within individual human beings. Some human-ness in human beings are only seen when we are around nature and other lives, while such human nature might be subtle and minor in today’s our society, they are fundamental that initially defined humans from other lives. Natsumi Goldfish is interested in relationships that humans uniquely create between human beings, with nature, and with other lives. By making half human figures, Natsumi Goldfish tries to observe and rediscover and visualize the fundamental characteristics of human beings, and identify the borderline between humans and non-humans.

“We are always humans as a whole and as individuals. What is human being anyway? Is original human-ness of human being still present? It seems like humans are trying to erase some part of human-ness of individual human beings from our gene, in order to develop an ideal human society or human as a whole. If a human society is formed by the humans, by discarding or neglecting some basic human nature in our gene, we are also going to retrogress the society in the end, aren’t we? We are always half human since the moment when we are born, but perhaps the other half depends on each of us.”-Natsumi Goldfish

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Picking Flowers by Natsumi Goldfish, Oil on Canvas, 2017

Humans are highly social creatures and for centuries we have been making societies from the earliest band societies: hunter-and-gatherer societies, to agricultural societies, to contemporary societies today. Human existence has been sustained by the communal living. Human as a whole has developed and improved with technology, science, and economic systems, that have made our individual life easy and convenient. Individual humans, on the other hand, have not changed so much, nor improved the inner abilities or physical appearances in any drastic way since we have identified ourselves as human. As society developed, the roles and values of humans have changed. Humans have lost the opportunities to utilize such inborn qualities of human beings. What individual humans have been offering like imagination, curiosity, ideas, and craftsmanship seem to be not essential anymore to live. Without one of us, without you or me, the society will function and will improve no problem. The most of roles available in the society is some kind of consumers. Perhaps we should have never take for granted our ability to imagine, or to be human, even if the society that does everything for us. Human’s inner abilities and senses have been less practiced and stagnant. As an evidence, we used to do only things that we know how or used tools that we can make, but today we do everything we do not know. Our lives are convenient with the science and technology that offered by the society, but we do not know how to make them nor the fundamental structure of them. We know how to grow plants from seeds bought at a store but many of us do not know how to harvest seeds from plants. Many of us rely on medications to recover from sickness, but we cannot make nor know the detail ingredients of the white pills prescribed by physicians. Most of us know how to use a smart phone, but we cannot make one from scratch. We can turn on a light but we cannot make a lighting system or a light bulb, moreover the electricity is sold and supplied from other source. Just like humans have been modifying nature and other animals, I feel like humans societies are trying to modify some part of human nature. Something might be fading away from our gene even this moment.

ABOUT ARTIST
Natsumi Goldfish is a contemporary Japanese artist based in New York City. Goldfish grew up in the fringe of Tokyo, a place of between of all, where nature and urban culture, and many different elements coexisted. The environment inspired and educated her to believe in pluralism, or something close to the idea of being between and both. In 2011 she moved to the United States. In 2013, she received her B. A. in Art from Tyler School of Art. Goldfish primary works with oil painting. Her creation is based on her interest in conscious and unconscious human behaviors seen in the history as well as in her ordinary life.

Official Website: www.natsumigoldfish.com

 

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Rica TASAKA | Embroidered NY

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Rica TASAKA

Embroidered NY

On View: August 18, 2017 ~ August 24, 2017

AG Gallery is pleased to announce a new exhibition with artist Rica TASAKA “Embroidered NY”, openng on August 18, 2017.

Rica TASAKA is a Japanese artist who explores washi as an art medium like oil paints and clay. Tasaka’s works are made completely with only embroider and Washi-paper collage. Tasaka collects images from around the world. Based on snapshots pictures she shot in cities she visited she creates her washi-art. Tasaka explores everyday subjects in her work that make us rediscover joys and happiness that lives in small parts of our daily life in a specific location of the world.

In this exhibition Tasaka created NYC landscape series using pictures and sketches of her visit to NYC last year as inspirations. We suggest gallery visitors to get extra closer to artworks this time, and see the details. They look like illustrations at a first sight but actually collaged paper and stitchings that make those “snapshot-like” pictures.

Exhibition is on view through August 24th, 2017. Please visit the gallery and enjoy how NYC was like to a visiting artist, you may discover something similar or different from what you know.

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Statement and Message from Artist

 I was born and raised in the bustling, food-centered city of Osaka, Japan in 1974.
 I spent my childhood creating unique works of art using everyday items I found around the house. Later in life, I entered the Life Design Department at the Kyoto Saga University of Arts.
 While at the university, I designed furniture and various other household goods. After graduating in 1995, I worked at a company as an interior designer.
 During that time I started working on my own art and in the process found traditional Japanese washi paper which totally changed my work. Washi paper has special textures that I can’t express using just paint. The texture and the hand-torn edges of the paper absorb and dissipate the ink in a way that makes each piece unique. I also embroider directly on the washi paper to give my work a three-dimensional texture and a visual rhythm as a single piece of art based on everyday life.
 I resigned from my company in 2000 and became a freelance illustrator. I did illustrations in various media, as I actively worked on creating solo exhibitions. In 2015, I held my first public exhibition at the Karuizawa New Art Museum in Nagano. Then I had my first exhibit in Brooklyn, New York.

 Coming to New York in 2017, greatly expanded my experience and style. The overwhelming energy of the city exhibited in its food, people, and lively culture caused me to explore a sense of movement and irregularity in my art. This has added power in addition to the sense of healing which was present in my previous work.

 I hope that whoever sees my art feels like they have made a small discovery in their lives and it causes them to smile. That’s what keeps me going as an artist.

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Current Installation by Takao SAKATA

Now showing at AG Gallery: an installation by Japanese glass-sculptor artist Takao Sakata. This exhibition makes his 7th exhibition at AG Gallery. Sakata considers himself a unique glass work artist in Japan. For his exhibitions at AG Gallery, he has been challenging the norms that other glass-sculptors follow to sell their glass art, or to be accepted as good glass-sculptors. This year as well he presents his work with a strong passion to breakthrough the conventionality of current “glass art”, as well as challenge the audience with a theme that non-american people may avoid speaking up about, or that people in America might be offended by if an outsider were to speak up about it.

Please make sure to visit AG Gallery to be a part of the audience for his installation. The “Love and Tears of Donald Trump” by Takao Sakata is on view until August 17th.

TAKAO SAKATA
Lives/works in Shiga Prefecture, Japan
Graduated From Tokyo Glass Art Institute

If you have any inquires about artworks, artists, and our gallery space,
please feel free to contact us at: natsumi@aboutglamour.net

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Takao SAKATA | Love and Tears of Donald Trump

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Takao SAKATA

Love and Tears of Donald Trump

AG Gallery is pleased to announce a new exhibition “Love and Tears of Donald Trump” by Takao SAKATA. Sakata is a glass sculptor who has been exhibiting at AG Gallery in every summer as a Japanese Artist at the Summer Exhibition Series which weekly we introduce various Japanese artists working in Japan. As an international contemporary art gallery, AG Gallery has been holding this annal weekly exhibition series with our aim to always be the eye opener, discovering and introducing new and interesting art, by accepting different backgrounds, races, ideas, beliefs, personal styles, and other difference artists embrace as well as what artists encounter and try to express in their creation. We look forward to your visiting, and truely hope you will enjoy this year’s Summer Exhibition Series.

A Note from Takao SAKATA

Once an artist said “Art is not a handicraft, it is the transmission of feeling the artist has experienced.” – Leo Tolstoy. I would like to continue fighting as an artist in Japan until the last day of my life, by creating, exhibiting, and presenting my work at AG Gallery in Brooklyn, NYC. The title for this year’s exhibition is “Love and Tears of Donald Trump”.

“There are ways of love and sorrow for each person, and so for Mr. Donald Trump. There is Mr. Trump’s way of loving and sorrow, and it is a chaos that can not be stepped in because there are areas that no one other than God can understand. There is a paradox that the present justice could be evil in the future generations. Today’s evil could become justice in the future generations. It seems to me that a person with such mysterious, undetermined charm is Mr. Trump. Rather than making Mr. Trump only an object of ridicule, I would like to examine the current society called America, and the person named Donald Trump, through the lens of artist. “

 

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Messengers | A Duo Exhibition by Yuzuru Akimoto & You Jung Byun

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“MESSENGERS”
by Yuzuru Akimoto & You Jung Byun

March 17 – April 16, 2017

AG Gallery proudly presents Messengers, a two person exhibition by two brilliant artists: Yuzuru Akimoto and You Jung Byun. Please mark your calendar and save the date to visit AG Gallery’s new exhibition opening, and enjoy the tasteful storytelling evening with artworks and our artists. The title of this exhibition the title “Messengers” suggests two artists who create artworks with stories, and there are also other messengers, that are the characters which appear in their works.

Yuzuru Akimoto is a Japanese painter and a graphic designer based in Chiba, Japan. He was born in 1977 in Guam, and when he turned three years old, he moved with his parents back to his family’s home, to a suburb in Japan. He spent his youth away from the busyness of urban cities. When he was 19 years old, he moved to Tokyo. He was making Computer Graphics which was a sensational innovation at the time. Later when he was around 24 years old, he started to question the computer technology and graphic design industry he had been working for, that had been continuing to improve but seemed to not know a moment of rest, and thus he decided to go to Setsu Mode Art School to seek a different kind of art from computer graphic.

“When I paint, I try to be fully ready before standing in front of a canvas. I take notes of memories, smells, words, and feelings. I imagine those collected materials as a picture. Each picture has a reason or an event for why it was painted. My painting is a condensed image to keep the memory of the event. One of my goals for making such paintings is to paint a memory or an event as beautiful as or even more than the actual event itself. It is my practice to find beauty in anything that happens around me. Even a mysterious or ugly unpleasant event has its unique beauty if we try to find it. In order to discover that in my paintings I try to make them without too much narrative expression.” -Yuzuru Akimoto

You Jung Byun is a Korean artist, award-winning illustrator and author, You Jung Byun was born in Queens, New York. Byun grew up in America, Korea and Japan, and after getting her BFA from Hongik University in Korea she returned to New York. She received her Master’s degree of Fine Arts from the School of Visual Arts in New York. Her work is recognized for the detailed lines and soft nostalgic colors, imaginative landscapes (such as background images and patterns), and characters and portraits. Today, she lives and works in Brooklyn, New York; enjoying many chocolate nger biscuits and tea, and watching pigeons ghting over stale bagels. Her work has been recognized by various magazines, awards and competitions, including The New York Times, Nobrow, Pick Me Up London 2013, Communication Arts Magazine, Creative Quarterly, Ai-Ap, Society of Illustrators, Society of Illustration LA, & SCBWI (with winning both Grand Prize in Portfolio Award, and Tomie DePaola Award at a same time on 2010).

“I am interested in the mystery around us — like truth, lost memories, lost feelings, or secrets. When I draw I feel like I am reaching out to the air and try to grab the edge of something I miss. I think it’s based on my experience of moving around a lot as a child and have felt the ideal world is always behind me.”-You Jung Byun

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