OLD WIVES’ LIES, a set on Flickr.
Installation view of current show and moments from its opening reception held on Friday, September 13, 6-9pm.
OLD WIVES’ LIES, a set on Flickr.
Installation view of current show and moments from its opening reception held on Friday, September 13, 6-9pm.
September 12 – November 3, 2013
Opening Reception: Friday, September 13 | 6 – 9 PM | Williamsburg Every 2:ND Friday
“Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations.”
— L. Frank Baum, creator of the Oz books, 1900
This show focuses on works inspired by the artists’ childhood relationship with folklore—from the traditional to the obscure and the contemporary, all that mattered most regardless of its “cultural” merit—and specifically the misinformation, neuroses and habits these artists have as a result of that relationship, and may still be accepting or overcoming into adulthood. The show investigates a diverse selection of personal mythology by a group of more than 30 artists working in techniques including painting, drawing, sculpture and Vine video.
Curated by Hazel Lee Santino
We open 7 days a week during show period, Noon – 8ish.
SES2013 Anti-Glassworks, a set on Flickr.
Explore the installation images from 7th week of Summer Exhibition Series 2013, works by Takao Sakata. On view now through 8/29/2013.
Takao Sakata, the artist of seventh week of whole SUMMER EXHIBITION SERIES 2013, who has a long career as glass-work artist live and work in Shiga, Japan. He would like to introduce, not only audience also other glass-work artists in the world, the new era of glass-work art which must be created from a strong passion to breakthrough the conventionality of current “glass art”.

This is his third year of appearance in Summer Exhibition Series. He also preys repose of victims’ souls of the Tohoku Earthquake on March 11, 2011 in the works, “KUKAI NO HOTORI (On the bank of suffering)”.
Artist Statement
“When we look at the glasswork art in these days, I can only see weak, cheap, and flatter works. They are called “the modern glass art” or “the world glass art” and seen as if they are the real art. Glass artisans without strong belief and knowledge and the lack of outstanding glass-work art critics abstract making progress of the art. The substantial of art is to express nature, society and human being through clear senses and techniques. It means the attribute of glass material doesn’t produce any arts. Marcel Duchamp signed that people in this century had been completely blind to the art. It is also the severe criticism to “the modern glass-work art.”
Artists accused a falsehood of an era with their insanity that is inherent in themselves, which is a reason why many Western artists have been respected. Those artists risked their lives through their representations. Social value of artists does not change at any time; artists are useless all the time.
Young artists should think carefully. Artists are the ones who decide to gaze live and death; memento mori, in all creations universally. You must not rely on what critics think about your works. In solitude, you have to let time pass. You should not let representations calm and rip off this century. “
—Takao Sakata
Takao Sakata
Live and work in Shiga, Japan
Graduated from Tokyo Glass Art Institute
The annual gallery event “SUMMER EXHIBITION SERIES 2013” is on view now through August 29, 2013. AG Gallery opens everyday from 12pm to 8pm during the show period.
SES2013 Power of the Earth, a set on Flickr.
Take a photo tour of solo exhibition by Yoko Takeuchi.
On view through Aug 22, 2013.
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